Professor Judith Donath
readings
Required
supplmentary
- From Paradise Now exhibit
catalog, works by Nancy Burson, Kevin Clarke, Larry Miller,
Steve Miller, G Schneider,
- Kevin Clarke's portraits
(e.g Friedrich von Schiller, John Cage, from the Blood of Poets)
- Sir
John Sulston: A Genomic Portrait by Marc Quinn
- Felix Gonzalex-Torres
- Gary Schneider
- Jim Campbell, Portrait
of my Mother, Portrait of my Father
- Diego
Goldberg family portraits
The
Brown Sisters
- Miscellaneous stuff at newnewportrait.com
- Grocery lists
A portrait is a representation of an individual
person. The goal of the portrait is to capture some
likeness of them, something of who they are. What
aspect of the person is considered important to
represent is culturally dependent. Portraits of rulers
from the early Medieval period often did not depict
the actual appearance of the living ruler, but the
"imago" of a Roman emperor in whose
succession he felt himself to be standing, by
"tanslatio imperii". The historical,
political and social context in which the ruler wished
to be viewed was the image he presented, not his own
physical appearance. Indeed, our notions of idenitty -
of the constancy of a person in different
circumstances and throughout life, is to some extent
culturally constructed - and as notions of identity
change, so do portraits. Indeed, in the Late Middle
Ages and the Renaissance, lifelikeness was the stanard
tthat portraiture was held to - and which was
subsequently replaced by an emphasis on depicting the
spiritual (and later, psychological) aspect of the
subject.
Late Medieval portraits are quite interesting from
a visualization perspective because of their complex
symbolic content. The position of the subject, the
background images, and objects in the picture all held
meaning.
essays and sketches
Please read the chapter from Brilliant, look at the Identity
website (the DVD will be useful in answering the following questions,
too) and look at the supplementary sites lists above.
A portrait involves a subject, an artist, and an audience. What
is the relationship among these three? How does the artist's role
change depending on his or her relationship to the subject and the audience?
Loops and This Voice Anywhere are non-facial portraits: Loops is a
portrait of Merce Cunningham through his hand movements and This Voice
Anywhere is a portrait of the viewer through voice. Do they function
as portraits? WHy or why not? Can you think of other ways of
representing the data - i.e. would it be more expressive if less
abstracted?
The Goldberg family self portraits and The Brown Sisters (links
above) are time series photos. What does the addition of this
dimension add? How could this be incorporated in a data portrait?
A time series is multiple images of the same person or people
over time. Other portrait series bring together portrayals of
numerous different people in a way that highlights the similarities
and differences between them. This can include collections of works
by a single artist published in a book or displayed sequentially. How
does this add (or detract) from the impression each portrait makes?
This voice anywhere created numerous sound portraits; how might
they be displayed to function as a series?
This assignment is due TUESDAY evening. Please submit your work online. If you have any problems with doing so, send email to Fernanda Viegas fviegas@media.mit.edu