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Department store photo
booths represent the mechanization of portraiture: the automatic camera
replaces the human artist. In Security
by Julia XXXXIII the mechanical artist is made sinister and invasive,
photographing the subject from multiple unflattering and unacceptable
viewpoints and displaying these images to the passing audience outside of the
booth.
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Julia Scher
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with Bristol Studios and
Lite Brite; Matt Dilling and Frank Kerrigan.
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Courtesy the artist and
Andrea Rosen Gallery, New York
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